48 hours in Barcelona is way too few; even when days start early and end in the early hours of the morning. Despite our short time, we chose to spend several hours at
La Sagrada Familia. Well. I don't think we chose- that's how long it took us, and although I could have been there until closing we had to see some other things. Okay, so maybe an hour of that was spent in line, but with coffee in hand and chatting with the Italian couple in front of us, we still were in awe of the incomplete building next to us.
I put the link to the Wikipedia page above and I really encourage you to read more. Even after the audio tour of the place and now reading what I can online I'm still in complete awe. Very few times in my life have I ever gotten goose bumps from a cathedral...and this one isn't even completed! MAJ545 summed it up well with his comment about "I don't care what you believe, you can't destroy something like this."
Antoni Gaudí started working on this project back in 1883, one year after the first stone was laid. He spent the next 40 years designing and building the cathedral. How? Well he took his archetectural inspiration from nature: snails, leaves, honeycomb. He also was a geometry genius so took what he learned from nature and applied it to his creations. The use of colors and stones magnified the natural looks of water, sky, earth, and fire. Sculpted animals "scurried" all over the various façades: lizards, snakes, snails, turtles, birds, dogs.

When we finally made it into the gates the Passion Façade, in 3 pannels met us. The sharp lines chiseled into the stone, intensified by the shadows and sunlight, depicted the events of Holy week. It took me a minute to realize that the scenes followed a s-shaped path, but I could figure out just about everyone and their part in the story. Except for the "thinking knights" that really turned out to be the Roman guards casting lots for Jesus' garments. Eh, I never liked them much anyway. Gaudí left no detail out in this creation: a fossilized palm frond, alpha and omega symbols, the rooster. As we entered into the sanctuary, thousands of words from the gospels with the "What is the truth?" highlighted on the doors.

A mere two steps into the sanctuary and I was floored. Even now thinking about it and seeing the pictures I experience the same feeling. After the initial shock factor I just wanted lay down on the floor and stare for hours at the ceiling and the windows flooding the room with color. Despite the 22.2M stone pillars (2M wide) scattered through out the room and the massive stone vaults on the ceiling, this place was so light and open feeling. Nothing like the Gothic and Baroque cathedrals I'm so used to seeing. Again, the detail that was explained from the sea side blues to the mountain side green, the symbols within the patterns, how the lighting was just perfect- Gaudí was an inspired man and the perfect one for this tasking.
Pulling myself up from the seat I found to just take it all in, I wandered back outside to the Nativity Façade, which was started during Gaudí's life and now show the wear of the city around it. Again, multiple scenes depicted the events of Jesus' childhood below the nativity scene completed the portion of the wall below the tree of life. Listening to the audio guide we weren't 100% sure what were were looking at but again, we knew it was something special. Well, I take that back. we were looking at something special and then 4 towers with cones of multicolored items, resembling something like kick balls or dippin' dots ice cream. Turns out that those were the missing baskets of fall and summer harvests. Oops.

Unfortunately, he died well before much of what we saw was even built...but he left plans. Detailed plans that captured his vision. Many were destroyed during the Civil War, however they are still looking at them to remain true to his plans. On the positive side, much of the technology needed to make the plans transform from paper and models to the real deal is now a reality. Work isn't scheduled to be done until at least 2026, which is the 100th anniversary of Gaudí's death. The photographs in the museum capturing the building that has taken place over the years is stunning, but perhaps even more so, is the fact that the highest spire is still not added. The central spire of Jesus will be 170M (560ft) which is one meter less than the hill in Barcelona. Apparently Gaudí figured his creation should be lower than God's but even so, once completed it will be the tallest church in the world.
So naturally, after falling in love with his design and creativity when the desk clerk suggested
Parc Güell for Easter Sunday we took the "oh so scenic route" to the hill overlooking the city. It's my doing with the scenic route. I have this tendency to just walk in a general direction...well when distracted too much it turns out I take arching routes. But never once did our trusty maps not help us out. Granted there are rules about using maps:
- Rule #1 You can't walk around with it in your hand.
- Rule #2 The fewer number of people see you with it, the better.
- Rule #3 Never EVER be obviously lost.
- Rule #4 Gotta still pay attention even when looking at the map.
Why all the rules? I think it's pretty obvious when you're a tourist, but don't make it so easy for others to pick you out! I'm good at getting us "lost" but I always can find us on the map. MAJ545 was excellent at picking the direct routes back.
At any rate...we made it to
Parc Güell. It wasn't too tough once we were swept into the crowds of tourists (with their maps and guidebooks in hand) walking along the street. Of course we weren't there until we climbed up the hill. And steps. Well, I took the steps. There were also escalators, but that's cheating. We started along the trails that lead up to "my house" and then took a back path through a very quite portion of the hill before wrapping back around to a monument of 3 stone crosses. Again, couldn't have been a more beautiful place to see on Easter. Of course all the tourist climbing up the itty bitty stairs (us too) made it a little crazy but a little crazy is good.
The park started as a housing development but never took off. Of the two houses built, Gaudí purchased one. The land was then converted into municipal gardens and somehow Gaudí got involved in designing portions of it and one again his knowledge and understanding of geometry found in nature is put to use. The rock arches are really bearing the weight of the roads above! The "bird nests" of stone just blend into the natural elements.

And then there is the fun stuff. The "like mosaic" as one, yep you guessed it, American tourist said while we passed her. Along the main square's perimeter there is a winding sea serpent that acts as a bench. Tiles make amazing patterns and shapes of sea creatures, that are viewed when people aren't sitting on every open space. Below the square columns support the weight above, and even they get mosaics that are just stunning. The white ceiling scattered with colorful mosaic circles are beautiful. Again, I had to fight the urge to lay on the ground and stare towards the ceiling...it wasn't too hard though since the ground was dirty. The steps leading up to the columns were "guarded" by the Gaudí dragon. This dragon was seen all over the city so we knew we couldn't leave until snapping our pics with him.
So if I sounds like a Gaudí fan, you're right, I am. He has several buildings scattered around town, all that we were able to identify. Turns out the tile along La Rambla is also one of his designs. It just may become my goal to go see all of his projects because they are truly amazing. Funny how I never knew about him and in one trip I discover his works and feel that
La Sagrada Familia could quite possibly be the most beautiful man made thing I've ever seen.